
Good Evening AP Friends-

“But the world itself, that which exists around us and inside us, is never unilateral. Never is a man or a deed wholly samsara or wholly nirvana, never is a person entirely saintly or entire sinful… And if time is not real, then the span that seems to lie between world and eternity, between suffering and bliss, between evil and good, also is an illusion.” (pg. 112)
This quote is a very essential part of the book because it focuses on the main idea of the book: Enlightenment. The books message is basically that if you let go of all the suffering in the world, you are able to achieve Nirvana. Siddhartha, the protagonist in the book, goes out on a journey to achieve Nirvana. When Siddhartha’s childhood friend, Govinda came to visit him, he asked Siddhartha several questions. He no longer understood how a person could possible obtain Enlightenment. He questions whether a person would ever be able to let go of all of the suffering in the world. Govinda had failed to reach Nirvana after several years of hard meditation and sacrifice. Siddhartha explained to Govinda that life cannot be completely perfect, it is impossible to become free of the illusion.
I chose this particular passage from the book because I felt I related to this message. From my interpretation of the quote, Siddhartha tries to tell Govinda that people aren’t always innocent and they’re not always bad as well. From my point of view, its saying that you can’t lose your faith in people due to the way other acts. Siddhartha also mentions that certain things take time just as there is “between world and eternity.” Everything has its time and place and if it didn’t then everything existing would all be an illusion. The quote also informs the reader to keep a sense of alert of the people around you because a person that you think you know and trust well may not be that kind of person at all. I also think this passage also refers to the Ying-Yang symbol which represents that good and evil go hand-in-hand. Like the Ying-Yang symbol, no person on Earth is “entirely saintly or entire sinful.”
WILLY: The door of your life is wide open!
BIFF: Pop! I’m a dime a dozen and so are you!" - Page 132, Act 2, Death of a Salesman (Miller)
This piece of conversation between Biff and Willy seems very much like the turning point of the book to me. It is fair to say that Willy Loman has been chasing the American Dream his whole life and he himself tries to be a typically "well-liked" personality to achieve that. It is also fair to say that Willy has failed to achieve his goal but he has been in denial about it throughout the whole play. Even though he does not admit his failures, he desperately wants his sons, especially Biff, to succeed in life and fulfill his personal dream. However, that did not come true for him either as his sons are nothing spectcular but only mediocre. Biff especially has failed miserably in the business world as he has been making money through plantation and farming. Willy could not accept that fact either as he keeps on encouraging himself wrongly that Biff would eventually succeed and achieve the American Dream. Basically he has been out of touch with reality the whole play. Approaching the end of the play, Willy and Biff have an argument and the conversation above is part of it. This piece of the play is ever so important because it brought Willy right back down to earth and back in touch with reality. It was made clear that he has achieved nothing in his life and contrary to his hope neither has BIff and nor will he ever. In a way, the argument also freed Biff from his father's unrealistic hopes because he has been tied down by the targets his father set out for him to achieve. Dramatic turning points like this often lead to even more striking conclusions and in this case it certainly did.
I picked this part of the play because it stands out. The rage, anger, fury and drama are all at its highest point by this stage- even higher than the scene when BIff caught Willy with the Woman in boston. The author's use of language is fitting to the scene- such as biff calling his father by the name. Biff's tone is almost of desperation begging Willy to let him free. This definitely is the high point of the book because all the actions, daydreamings, mutterings, and conversations prior to the argument have lead the play there- to the fight. After the fight, it was all downhill and left with very little to be exited about. The argument does get me thinking because Willy never seemed to recover from his denial process even though Willy could not have made his feelings clear in a more foreward manner. What got me thinking is the reason behind Willy's suicide. Did he crash the car because of all the emotion that Biff expressed such as crying that made Willy feel the love. Or is it a way to plead for forgiveness to his son who was the only one to find out about his affair? Or is he still in denial thinking that Biff can invest the insurance money in business and succeed?
“Open the door! Open, blast you! I’ll endure anything, your red-hot tongs and molten lead, your racks and prongs and garrotes- all your fiendish gadgets, everything that burns and flays and tears- I’ll put up with any torture you impose. Anything, anything would be better than this agony of mind, this creeping pain that gnaws and fumbles and caresses one and never hurts quite enough. [He grips the doorknob and rattles it.] Now will you open? [The door flies open with a jerk, and he just avoids falling.] Ah! [A long silence.]”
Jean-Paul Sartre accommodates his characters in his work to illustrate his philosophy of “bad faith” and perdition. No Exit is a play that depicts an absurd and ironic representation of hell, by fitting three alike characters in a same room to make each other’s existence, literally, “a living hell”. This passage thought, has an important meaning to both, the theme of the story and Sartre’s philosophy. It resembles the idea of condemnation and how one of the characters has finally realized how hell has been set up for him and chooses to receive physical punishment instead, as to keep participating in the “psychological war” going on in the room – the idea of surrender; in other words having bad faith. Self-judgment plays an important role in this story as main topic as well, having a major impact among all three of the characters, principally on the one stating the quote, Garcin. He is unable to decide for himself whether or not he is a coward and bases his beliefs on the other characters’ judgment rather than listening to his own; being this the reason that he decides to escape the room to avoid listening to them. In the end, they come to conclude that hell is “other people”.
The play as a whole is intriguing and comical, giving an exceptional definition of hell that no reader would imagine. But this passage specifically, is shocking for the audience since it shows an ironical scene and ridicules the male figure. Garcin is the only male of the room and, as depicted in Sartre’s time, expected to be the more robust. However, towards the end of the play he shows to be the weakest and least valiant to accept his fate. He is the first one to drop his dignity and relinquish. Furthermore, the passage sets the theme and portrays the lack of self-judgment most of humanity lacks, guiding themselves for the voices of the surroundings. Garcin gets to admit that mental punishment is the real hell and the best way of redemption.
JIM: “No Laura I can’t (he rises from the sofa.) As I was just explaining, I’ve – got strings on me. Laura I’ve- been going steady! I go out all the time with a girl named Betty. She’s a home-girl like you, and catholic, and Irish, and in a great many ways we- get along fine. I met her last summer on a moonlight boat trip up the river to Alton, on the Majestic. Well- right away from the start it was love! Being in love has made a new man of me! The power of love is really pretty tremendous! Love is something that- changes the whole world, Laura! It happened that Betty’s aunt took sick, she got a wire and had to go to Centrailia. So Tom- when he asked me to dinner- I naturally just accepted the invitation, not knowing that you- that he- that I- (he stops awkwardly) huh- I’m a stumblejohn!” (page 88-89)
I chose this passage from the novel, The Glass Menagerie, a play by Tennessee Williams. This was a pivotal scene in the novel because it ruined Amanda’s and Tom’s hopes for Laura. Amanda (Tom’s and Laura’s mother) wants the best for her children. She hoped to get Laura married and requested Tom to bring a gentleman for Laura to dinner. Amanda always boasts about the 17 gentleman callers she had when she was Laura’s age and how she met their father. Their father later left them to travel the world. Tom agreed to bring Jim, a guy who works with him in the factory. Laura had known Jim from high school (he was the boy she had a crush on). Everything was going smoothly. Jim and Laura talked for a while and danced. While waltzing, Jim broke Laura’s favorite glass piece (a unicorn) from her glass collection, which she loved very much. Towards the end of their conversation, Jim kisses Laura. Afterwards, Jim mentions that he is in a hurry and has to go meet his fiancée, Betty (quote above). When I read this, the only thing going through my head was….. “noooo, why?!” I thought, “why would he kiss her and provoke her into liking him if he was already engaged?” Laura said nothing. She gave Jim the unicorn that he broke (which became a horse after the horn broke off) in order for Jim to remember her. Amanda went through all that trouble cleaning the house, cooking, and dressing up Laura and nothing worked out. This scene is imperative because it contributed to the tragedy of the play. Laura, who is crippled had finally been set up with a gentleman, and it turned out that he had a fiancée.
September is here, and it's time for you to get your heads out of the sand and back into the books (see related image).